Tag Archives: swedish

Top 5: Books That Should Be Movies

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Whuh? Why the hell’s a movie site talkin’ about them thar readin’ books? Next they’ll be askin’ us to be a-learnin’ on our own time, an that thars aginst God’s own will boy.

Generally speaking, we’d much rather watch the movie than read it’s literary counterpart, I mean, since when did books have flashing colours, Robocop and the possibility of a Jenny Agutter shower scene? And let’s not forget, movies are done in 2 hours straight, while a book can take aaaaages to plough through, particularly if it’s the latest chapter in the Twilight series and you keep hurling it out of the window halfway through.

While all the above reasons are 100% true by us, there are a few paperbacks out there that haven’t yet received the Peter Jackson overhaul (not a euphamism), so the staff at STS decided to head to the local library and steal a few weighty tomes. Here’s what we came back with – it’s our: Top 5 Books That Should Be Movies!

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Millenium:The Girl With The Dragon Tattoo

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Based on Steig Larsson’s bestselling trilogy, Millenium: The Girl With The Dragon Tattoo is possibly the bleakest of his interwoven tales that began with The Industrialist, finally making it to these shores after wowing those critics with harder stomachs at Cannes, it kick-starts the trilogy – The Girl Who Played With Fire and The Girl Who Kicked The Hornet’s Nest to follow in the near future – in fine style. An uncompromising mystery thriller with some truly memorable – and disgusting – on-screen executions.

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Let The Right One In

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Swedish director Tomas Alfredson’s version of John Ajvide Lindqvist’s novel, Let The Right One In, finally limps on to British and American screens…just in time for the DVD release. That said, this is definitely a film that deserves a big screen, and a night-walk home through the park afterwards.

This is stunning, catching the ethereal beauty of a Scandinavian winter and juxtaposing it with the modern, concrete grimness of the cold war. Despite being firmly rooted in the 80s, the film spends a lot of time building an atmosphere that is both timeless and ageless.

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