The Oscars! Once a year, a bunch of hopeless weirdos get together and nominate the year’s worst movies to receive a foot-tall piece of plastic that’s been sprayed gold and give gushing three hour speeches. In the past few years the list of categories has grown so huge that the ceremony lasts approximately 6 weeks – just long enough for Steve Martin’s hourly rate to cover the HP on his Ferrari.
Anyway, because we are the best film site ever, we reckon we’ve ingested enough peyote to see into the future and predict who’s going to win, and because those fine purveyors of discount lovefilm memberships over at vouchercodes.co.uk are running a sweepstakes, we’re going to lay it on the line and go head to head with a few other sites that seem to think they know something about movies – even though not a single one of them has published a Jason Statham retrospective this year!
To make things simple, we’ve decided to ignore dorky categories like ‘Best Window Dressing’ and go with the big hitters –don’t agree? Why not you feckless dog? Well go on then, if you think you know better, tell us!
It seems that director Joe Johnston has been using his post-Wolfman time wisely, bypassing regional premieres in favour of homing in on a lead for The First Avenger: Captain America.
Chatting to Marvel.com, Johnston says he expects to announce a lead in the next fortnight.
“We need to cast it soon,” said Johnston. “We have a very short list, but we’re still juggling actors here. I’d say within the next couple of weeks we’ll have ourselves a Captain America, I hope.”
Sam Worthington was most recently linked to the star-spangled spandexer, but it’s unclear whether the grunting half-wall half SHOUTING ACTOR has made the shortlist. Tyrese still appears to be in the running for the role of proto-super soldier Isaiah Bradley.
Despite some shouting from fanboys – and speculation that the plot may include Marvel’s dodgy Brit-hero Union Jack – Johnston is still set on filming in the UK, which given the WWII period piece that’s been mooted, makes perfect sense, with Marvel’s head honcho Kevin Fiege claiming it will be
“One of the most international films we’ve done”. So Europe-wide Nazi-crushing super-carnage then – this can only be a good thing.
The new poster for Joel Shumacher’s upcoming horror Creek hits the interwebs today, and it looks like the studios still haven’t forgiven him for killing Batman, if their cack-handed promotion attempts are anything to go by…
Joel does have previous of course, with ill-conceived Vinnie Jones vehicle (Honestly! A Vinnie Jones Vehicle! Think about how many kinds of wrong that is!) Midnight Meat Train quietly becoming a tax write-off for Lionsgate
.
Despite several name changes and a confused, limited release however, this tale of crazed Nazi Occultism and the search for immortality gone awry in small town USA looks like a far finer kettle of fish. Invasion man Dave Kajganich scripting while Prison Break’s Dominic Purcell and Inglourious Basterd Michael Fassbinder head up a top-notch cast.
So, will it be Tigerland meets Evil Dead-or The Werewolf Vs The Yeti?
With Tarantino’s Basterds currently carving up critical opinion in the style of 1940s Berlin, we figured it was a perfect excuse to crack open the beers and watch a few two-fisted, boy’s own adventure WWII flicks. It’s all very well going on about Rambo and Arnie in Predator, but when it comes to kicking goose-stepping Nazi ass, you need a different calibre of hero entirely.
Join us as STS dons it’s goggles and fleece-lined RAF jacket, pops a pipe in it’s gob, and, in our very best BBC English, concocts some cockamamey mission to rescue Winston Churchill’s secret exploding cigars from a Bavarian castle. This type of who dares wins needs a very special set of protagonists, so join us as we bring you 6 of the best: Nazi Fighters!
Going by title alone, you’d be forgiven for expecting a set-piece-filled video game spin off. In fact this is a slow burning and underplayed version of real life events, as Norwegian resistance member Max takes on dastardly invading Nazis, in a WWII film that’s a wobbly mix of two-fisted action and true-life consequence.
